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Sabine Azéma

Sabine Azéma

Acting
1949(France)-
Sabine Azéma (born 20 September 1949) is a French stage and film actress and director. Born in Paris, she graduated from the Paris Conservatory of Dramatic Arts. Her film career began in 1975. Azéma appeared in A Sunday in the Country (1984), for which she won a César Award for Best Actress, and numerous films of Alain Resnais, including Life Is a Bed of Roses (1983), L'Amour à mort (1984), Mélo (which won her a second César Award for Best Actress), Smoking/No Smoking (1993), On connaît la chanson (1997), Pas sur la bouche (2003), and Cœurs (2006). She has been nominated a further five times. Description above from the Wikipedia article Sabine Azéma, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Participates in

Acts in

  • Tanguy
  • Same Old Song
  • Private Fears in Public Places
  • Histoire(s) du Cinéma 2b: Deadly Beauty
  • A Sunday in the Country
  • Life and Nothing But
  • The Perfume of the Lady in Black
  • The Mystery of the Yellow Room
  • Love Unto Death
  • Le Voyage aux Pyrénées
  • Happiness Is in the Field
  • Smoking / No Smoking
  • To Paint or Make Love
  • Wild Grass
  • Let's Dance
  • The Well Digger's Daughter
  • Life Is a Bed of Roses
  • The Prude
  • The Officers' Ward
  • Le Schpountz
  • Season's Beatings
  • Zone Red
  • The Bottom Line
  • Not on the Lips
  • Fair is Fair
  • Olé !
  • Three Years
  • The Lacemaker
  • Black for Remembrance
  • Mélo
  • Five Days in June
  • You Ain't Seen Nothin' Yet
  • Rossini! Rossini!
  • Vanille fraise
  • Le Chasseur de chez Maxim's
  • Aunt Hilda!
  • Life of Riley
  • Riviera Revenge
  • Le Veilleur de nuit
  • Cosmos
  • Wow!
  • R.A.I.D. Special Unit
  • Ma famille t'adore déjà !
  • We're Not Angels... Neither Are They
  • Cezanne and I
  • Robert Doisneau: Through the Lens
  • Chouquette
  • Knock
  • Le sexe faible
  • Tanguy, le retour
  • One Hundred and One Nights
  • Silence on aime
  • Smoking
  • No Smoking
  • My Man
  • Happy End
  • Secret Name
  • A Day in the Life of French Cinema