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Kazu Hiro

Kazu Hiro

Costume & Make-Up
1969(Japan)-
Kazu Hiro (born Kazuhiro Tsuji, Japanese: 辻 一弘 Tsuji Kazuhiro; born May 26, 1969) is a Japanese-born American special make-up effects artist and visual artist. He won the Academy Award for Best Makeup and Hairstyling for the biographical films Darkest Hour (2017) and Bombshell (2019) after earning nominations for the comedies Click (2006) and Norbit (2007). Kazu Hiro grew up in Kyoto, where he spent much of his time alone engaging in art projects. Kazu Hiro came across an issue of Fangoria which featured Dick Smith and his work turning Hal Holbrook into Abraham Lincoln for the 1976 miniseries Lincoln. This led to Kazu Hiro's own experiments with special make-up effects, photos of which he began sending to Dick Smith after discovering his P.O. box in the back of a magazine. The two would eventually meet in person when Smith traveled to Japan to work on Kiyoshi Kurosawa's Sweet Home. Smith invited Kazu Hiro to work on the film with him and this began his film career.

Participates in

  • The Curious Case of Benjamin Button
  • Sweet Home
  • Maestro
  • Hiruko the Goblin
  • Rhapsody in August
  • Zëiram
  • The Ring
  • How the Grinch Stole Christmas
  • G.I. Joe: The Rise of Cobra
  • Tropic Thunder
  • TRON: Legacy
  • The Smashing Machine
  • Killing Them Softly
  • Minbo, or the Gentle Art of Japanese Extortion
  • Just Go with It
  • Salt
  • Hellboy
  • Looper
  • You Don't Mess with the Zohan
  • The Place Beyond the Pines
  • Intolerable Cruelty
  • The Haunted Mansion
  • Total Recall
  • Men in Black II
  • The Shape of Water
  • Hemingway & Gellhorn
  • Transformers: Revenge of the Fallen
  • Planet of the Apes
  • The Ring
  • Life
  • Nutty Professor II: The Klumps
  • Enchanted
  • Wild Wild West
  • The Ring Two
  • Critical Care
  • Cursed
  • Darkest Hour
  • Darkest Hour
  • Men in Black
  • Bombshell
  • Norbit
  • Click
  • Minbo, or the Gentle Art of Japanese Extortion
  • Angels & Demons
  • I Now Pronounce You Chuck & Larry

Acts in

  • The Human Face