filmica.

This adaptation of the storyboard L’amore è un lepidottero (1941) by Italian artist and experimental filmmaker Bruno Munari contrasts dreamy melodrama set against the backdrop of war with the giallo aesthetics of Italian slasher films. The result is a rapid collage that combines computer animation, improvised shots, archival material, and images generated by artificial intelligence. Each element speaks a different visual language, but together they create a paradoxical “handmade” aesthetic in which technology clashes with nostalgia.